Publisher has many features which, if used correctly, will make it much easier for commercial printers and quick printers to prepare your job for the printing process. The following tips will help you prepare your Publisher jobs for high-quality commercial or quick print output.
If you have questions about preparing your job, it is always a good idea to talk to your printer before you start your project. If you need to find a printer in your area who accepts files created in Microsoft Publisher, go to http://mspublisher.saltmine.com/printerSearch.aspx .
Tip 1: Always use Microsoft Publisher 2003
Many of the following tips apply only to Publisher 2003, which includes new and improved features that were designed to be used by professional printers. Your printer or service bureau will have more confidence in publications created in Publisher 2003 than in publications created with earlier versions of Publisher, such as Publisher 2002, Publisher 2000, and Publisher 98.
When you open older publications in Publisher 2003, the program retains the appearance of the older files as much as possible. However, there are some instances when publications created in older versions of Publisher look different when opened in Publisher 2003.
To upgrade to Publisher 2003, go to your local retailer or upgrade at http://www.microsoft.com/products/info/ .
Tip 2: Choose your color model early
Before you spend a lot of time designing your publication, you should decide whether or not you want to print your publication in color. If you want to print in color, there are several different ways to do it. If you will print your publication to a high-quality digital color printer, you don't need to worry about color. However, if you will have your publication printed on an offset printing press, you need to consider that the cost of printing will increase depending on the color model you use.
Offset printing requires that a skilled professional press operator set up and run the print job. Every ink needed to print the job requires more setup for the operator and increases the cost. The number of inks you need depends on the color model you choose. When you set up color printing for your publication, you can choose from the following color models:
Process-color printing always requires setting up the press with the four CMYK inks and also requires skill on the part of the press operator to line up the impression of one ink with the others, which is called registration. These requirements make process-color printing more expensive that spot-color printing.
Process plus Spot Colors This is the most expensive color model to print because it combines process-color printing (four inks) with one or more spot-color inks. You would use this color model only if you wanted both full color plus a highly-saturated or metallic color that couldn't be produced using CMYK.
In Publisher, when you choose a color model, the color picker is restricted to only those colors that are available in that color model. For example, if you set your color model to Single color, you can only choose line, fill, and text colors that you can make with that single ink color. If you set the color model to Spot colors, you can only choose line, fill, and text colors that can be made using your spot-color inks.
To choose the color model for your publication, do the following:
4.Click OK.

Figure 1: The Color Printing Dialog Box
Tip 3: Make sure your publication pages are the correct size
Before you create your publication, you should decide what size you want the finished printed publication to be. Once you determine the page size you want, set it up in the Page Setup dialog box. Take care at this stage to make sure that the page size you choose in the Page Setup dialog box is the size you want. It is difficult to change the page size after you start designing your publication. Also, your commercial printer will have trouble printing your publication to a different page size than the one you set up.
It is important to note that in page setup and printing, page size and paper size are two different things:
In many cases, the paper size will need to be larger than the page size in order to allow for bleeds and printer's marks or to enable you to print more than one page per sheet of paper.
If you want to print multiple copies or pages on a single sheet of paper, you can do it easily in Publisher. However this is practically limited to things like business cards and post cards or a simple booklet that uses two-page printer's spreads. Printing multiple copies on a page is called imposition.
Tip: To get the best results with imposition, you should talk to your commercial printer about it before setting up your publication. Your commercial printer may have a third-party imposition program that he or she will use to impose your publication.
As a general rule, whether you are going to use imposition or not, you should set your page size to be the final size of the item. For example:
Business cards, index cards, and postcards If you want to print several small items, like business cards, on a single letter-sized (8.5 inches x 11 inches) sheet, you would set your publication page size to be the size of the cards (2 inches x 3.5 inches for business cards) not the size of the paper you will print them on. Then, in the Page Setup dialog box, you can set how many copies will print per sheet.
Depending on the paper size you have set up and the margin values you have typed, Publisher will fit as many copies of the item on the page as it can. You will still see only one copy in the publication window, but when you print the publication, Publisher will print multiple copies on one page.
To set up your publication as a booklet, do the following:
Whatever you do for steps 7 and 8, your commercial printer will have to make sure that the printer and paper settings are correct for the device he or she will use to print your booklet.
Complex imposition Some imposition can involve a large number of pages that are printed on a single sheet, which is then folded several times and trimmed on three sides to produce a group of sequentially-numbered pages. This kind of imposition can only be done using a third-party imposition program.
Tip 4: Allow for bleeds
If you have elements in your publication that you want to print to the edge of the paper, you will have to set these up as bleeds. A bleed is where the element extends off the publication page. The publication is printed to a paper size that is larger than the finished page size, and then trimmed. Bleeds are necessary because most printing devices, including offset printing presses, can't print to the edge of the paper.
To create a bleed in Publisher, simply enlarge the elements you want to bleed so that they extend off the edge of the page by 0.125 inches.

Figure 2: Publication with bleeds
If the element is an AutoShape you created in Publisher, you can easily stretch it. However, if the shape is a picture, you have to take more care to ensure that you don't get the picture out of proportion or that you don't lose part of the picture you want to keep when the page is trimmed.
Tip 5: Use linked pictures
Insert pictures into your publication as links whenever possible and make sure to include the linked graphics when you hand off your publication to your commercial printer. If the picture is a link, your commercial print service can edit any of the pictures if they need to. This is especially important if you use Encapsulated PostScript (EPS) graphics. This is because you can't save a picture from Publisher in EPS format. The EPS graphic will only be available to your commercial printer if it is supplied as a separate linked file.
To insert a picture as a link, do the following:
Tip 6: Size digital photos and scanned images appropriately
Graphic that are created by a paint program, a scanning program, or a digital camera are made up of a grid of of differently colored squares called pixels, which is short for "picture element." The more pixels a graphic has, the more detail it shows.
The resolution of a picture is expressed in pixels per inch (ppi). Every picture has a finite number of pixels. When you scale a picture n Publisher you are not changing its total number of pixels, you are changing its resolution: the number of pixels per inch. Scaling a picture larger decreases the resolution (fewer ppi). Scaling the picture smaller increases the resolution (more ppi). If your picture resolution is too low, it will print blocky. If the picture resolution is too high, the file size of the publication will be unnecessarily large and it will take a longer time to open, edit, and print. Pictures with more than 1,000 ppi may not print at all.
Color pictures that you will have printed by a commercial printer should be between 200 and 300 ppi. You can have higher resolution—up to 800 ppi—but you should not have lower. The following table lists the maximum and minimum sizes at which you should print various sizes of digital photos:
Pixel dimensions Minimum size Maximum size
640 x 480 (0.3 megapixels) 0.6 inches x 0.8 inches 3 inches x 2 inches
1024 x 768 (0.75 megapixels) 1.25 inches by 1 inch 5 inches x 3.5 inches
1200 x 900 (1 megapixel) 1.5 inches x 1.125 inches 6 inches x 4.5 inches
1700 x 1300 (2 megapixels) 2.125 inches x 1.625 inches 8.5 inches x 6.5 inches
2000 x 1500 (3 megapixels) 2.5 inches x 1.875 inches 10 inches x 7.5 inches
Note: You may sometimes see picture resolution expressed as dots per inch (dpi) instead of ppi. These terms are often used interchangeably.
Effective resolution
Every picture in your publication has an effective resolution that takes into account the original resolution of the graphic and the effect of scaling it in Publisher. For example, a picture with an original resolution of 300 ppi that has been scaled 200% larger, has an effective resolution of 150 ppi.
To find the effective resolution of a picture in your publication, do the following:
Reducing high-resolution graphics
If you have just a few graphics whose resolution is too high, you may have no problem printing them. However, if you have several high resolution graphics, your publication will print more efficiently if you reduce their resolution. You can reduce a graphic's resolution using a third-party paint program or you can use Publisher. Before you reduce the resolution of a graphic, you should consult with your commercial printing service. They will be able to tell you exactly what resolution you need.
In Publisher you can reduce the resolution of a picture by exporting it with a new resolution, and then exchanging the exported picture for the one in your publication. To do this:
The high resolution picture will be replaced by a 300 ppi version of the same picture.
Tip 7: Proof your colors on your desktop printer
Before you send your file to your commercial printer, print a copy of it on a color desktop printer as a color proof. Printing a color proof will give you an idea of how colors in your publication will look when printed. Some colors will appear brighter on screen than on paper. If your publication relies on colors that don't print well on a desktop printer, you might have to print those colors as spot colors, which would increase the printing cost.
Tip 8: Avoid using synthetic font styles
Typefaces are typically designed with different fonts to represent variations in the typeface. For example, the typeface Times New Roman is actually four fonts: Times New Roman, Times New Roman Bold, Times New Roman Italic, and Times New Roman Bold Italic. To simplify using the variations, when you apply the bold or italic style to text in Publisher, Windows applies the appropriate font if it is available. For example, if you select some text in Times New Roman and then click Bold on the Formatting toolbar, Windows substitutes Times New Roman Bold for the text.
However, there are many typefaces that do not have separate fonts to represent bold and italic. When you apply the bold or italic style to these fonts, Windows creates a synthetic version of the typeface in that style. For example, the typeface Comic Sans MS does not have an italic font version. When you apply the italic style to text in Comic Sans MS, Windows will make it look italic by slanting the characters.
Synthetic font styles will print as expected to most desktop printers. However, high-end print devices, such as imagesetters, will likely not print synthetic fonts as expected. Make sure that you don't have any synthetic font styles in your publication when you hand it off to your commercial printer.
To be sure that you don't have any synthetic fonts styles, you need to know what typefaces you are using and what variations are available as separate fonts. To see what typefaces you have used in your publication, do the following:
On the Tools menu, point to Commercial Printing Tools, and then click Fonts.
The Fonts dialog box will show all the typefaces used in your publication.
To see what style variations of the typeface are available as separate fonts, do the following:
The Fonts window will open and you can see a list of all the fonts that are installed on your computer.
The Fonts window will list each variation of every typeface. Check to see if the typefaces you are using in your publication have separate fonts available for the styles you want to use.
If a typeface is listed with only one variation, it means there are no separate fonts available for bold, italic, or bold italic styles. Most of the typefaces that have only one font available are decorative fonts and are not designed to be used in other style variations.
Tip 9: Avoid using tints for text at small font sizes
If you use colored text in your publication, make sure that if the text is at a small font size, you use colors that are either solid spot color inks or that can be made up with a combination of solid process color inks. Avoid using a tint of a color.
Publisher prints tints as a screen, or percentage, of a solid ink color. When viewed close-up, the screen appears as a pattern of dots. For example, a 50% tint of green would be printed as a 50% screen of the solid green ink:

Figure 3: Enlargements of solid and tinted text
When the tinted text is at a small font size, the dots that make up the screen may not be sufficient to clearly define the shape of the characters. This may result in text that is blurred or speckled and hard to read.
If you want to color text at small font sizes, make sure that you use colors that will print as solid inks, not tints. The following are some possible color choices:
Tip 10: Use the Pack and Go Wizard to prepare your publication file
Microsoft Publisher includes a useful feature for preparing a file for you to take to a commercial printer. This is the Pack and Go Wizard. When you pack your publication using the the Pack and Go Wizard, Publisher does the following:
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